INDEX -CHAPTER ONE
ORIGIN AND DEVELOPMENT OF THE ACCOMPANIMENT STYLES.
1 Example1:Danz6n
Example 2: Son
2b:(Montuno/Son) 5
Example3:Bolero
Example 4: Danz6n de Nuevo Ritmo
Example5:Cha-Cha-Cha
Example6:Son Montuno
Example 7: Guajira
7b:Afro
MusicalPiece: "YoSiComoCandela" 12 Musical Piece: l'El Chaleco" (Son-Cha) 13
Example8: Mambo
Example9:BoleroSon
Example10:BoleroCha
Musical Piece: "Fiebre de ti" (Bolero)
Example11:Rumba
Example12:Guaracha
Musical Piece: l'Mi Bombolaye" (Guaracha)
CHAPTER TWO
THE CLAVE AND ITS RELATION WITH THE BASS.
VARIATIONS OVER BASIC STRUCTURES
Variation#l:OvertheSon
Variation #2: 30
Variation #3:
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Variation #4: Over son-Cha
Variation #5: Rhythmic Tensions
Variation #6: Over Guaracha
Variation: Guaracha, Rhythmic Tensions
Variation: Over Son (two chords)
Variation #7: Rhythmic Tensions over two chords
Variation #8: Combinations
Musical Composition: "Lclgrimas Negras"
Different Cuban Rhythms: Guaguanco, songo, Pilon,Mozambique
FinaIVariations
CubanTumbaos
Son Study (For Cachao)
CHAPTER THREE Eight Bass Transcriptions:
No.1: IILaFlautaMclgical',danzon.
Group: Los Amigos
Bassist: Orlando Lopez "Cachalto"
No.2: "Coge el Camaron", son.
Group: Original De Manzanillo Bassist: El Jimagua
No.3: "Rumberos Latinoamericanos", guaguanco
Group: Orquesta Reve Bassist: Pipo
No.4: "Yo soy de la Habana", son.
Group: lrakere
Bassist: Carlos Del Puerto
No.5: "El Que No se Movio Perdio Su
Tiempo"
Bassist: silvio Vergara
No.6: "Bailando As!"
Bassist: Carlos Del Puerto
No.7:"LoQueVaAPasar"
Bassist: Carlos Del Puerto
No.8:"Quesorpresa"
Group: Los Van Van (not on tape) Bassist: Juan Formell
Farewell: (melody by Carlos Del Puerto)
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